Sorry about the second short break from blogging I took the last few days. The cold I tried to pretend I wasn’t developing during finals week hit me extra hard once the high stress of exam season began to dissipate, and for two days all I could do was sleep and cough my head off.
However, if there was any benefit to take away from sidling the edge of death, it was that I have seen the face of Armageddon and am prepared for our inevitable, collective demise.
An Armageddon that is: Armagetron.
Welcome to a game that I had basically forgotten about until my Macintosh Desktop rescue. The original file had not been opened since 2009, when I discovered it during that sprite animation camp I talked about in my Smash Bros. wallpaper post.
But unlike a lot of the other relics of oughts Jasoncana, Armagetron Advanced is totally rad. After all, it’s a simulator experience based on the light cycle races from 1982’s TRON.
I had this whole plan set out after replaying the game to record footage so I could show off my sweet Armagetron skills, maybe even gif a few seconds of me dunking on computers.
Except turns out I don’t exactly have good screen capture software that doesn’t make the footage come out like this on the other end. Forewarning, this video is very choppy and kind of nauseating.
Was not going to be able to get the high-octane action that I originally wanted out of showing this game off.
You move around a digital grid leaving trails that immediately destroy (or derez) opponents. The aim of the game is to be the last man standing, with points earned for killing opponents and lost for ramming into other light trails or “committing suicide” against arena walls.
On top of customizing the color of your light cycle, Armagetron allows you to set up matches with as many AI (or people given a decent lan party) in as many parties as you want. Everything from the AI’s intellect to the size of the battlefield and the amount of time light trails last can be altered.
For the most part, each trip to the grid feels unique because of the timeless style Tron imbued on its light cycle sequences. It makes for cinematic experiences even in a fairly basic simulation.
It helps that on top a great general style, the game features really crunchy sound effects for the racers speed, doppler echoes as opponents move past and — of course — digital explosions.
Lots and lots of explosions.
Where I would argue Armagetron thrives the most is in its simplicity breeding implicit storytelling. A lot of computer players are named after applications like “word” or “excel,” so it feels as though you’re duking it out with your own computer’s software out for revenge after yet another 2,000 word essay.
Plus, I’m a fan of situations where I need to time my turns and thread the needle:
Or, like you can see in the featured image, those moments when you’re boxed in and have to survive as long as possible driving in a square on the off-chance the AI dies before you run out of room.
Extra graphical touches like sparks when you grind as close to a wall or light trail as possible without killing yourself really sell these scenes:
The amount of times I died just trying to get that feeling of barely evading death are uncountable.
But of course that feeling of narrowly avoiding death is only superseded by the thrill of a well-won victory after pulling off death-defying tricks.
While there isn’t a whole lot to say about Armagetron Advanced past the basics, it still earns my high recommendation. If you want to feel like Jeff Bridges, this isn’t a bad place to start.
I haven’t tried it the most recent update since I’m still stuck in the nostalgia trip of my beloved 2009 version, but from screenshots I know there are plenty of different game modes and graphical styles to choose from now.
This fan project stretches all the way back to the original Armagetron in 2004, so there’s a ton of love put into it. Even if it’s not getting much in the way of development recently, I’d still say you should all go support it.
Armagetron Advanced is something that shouldn’t just be derezzed into obscurity.
Got a fun one for everybody today. None of this dreary breaking news or government business.
Today we’ve got Kirby.
This past weekend was a fun one between getting Star Allies for the Switch and going to see Hollywood Babble-On with my dad. It didn’t exactly help my exhaustion levels, but that’s what Spring Break is probably going to be for next week.
So long as I don’t abuse the freedom by not sleeping ever…
But that’s beside the point. Unless of course that lack of sleeping comes as a result of playing more Kirby. Which is a very strong possibility.
I’ve been having a great time playing the game thus far, as it is frankly difficult to not have a good time playing a Kirby game. That’s one of the main points I hit in the review I wrote for the Daily Titan today.
One of the other points, unfortunately, was the fact that the game strikes me as being so easy and quick-to-beat that it may not be worth the pricy $60 investment for some.
It will be worth the investment for me personally thanks to my obsessive desire to collect every puzzle piece, beat the time trial and arena modes with each character type and ultimately achieve a 100 percent completion rating. Plus, the game will undoubtedly make for a fun multiplayer experience with my friends over the break and going into the near future.
I won’t go super into detail about my thoughts and opinions on Kirby in this blog post because I do delve into it more succinctly in my review.
On top of that, I’m also planning on possibly publishing a separate “Director’s Cut” review here in the future. Either that or a post I’m imagining describing how the game goes wrong for my tastes.
But for those, we’ll just have to see what time allows.
For now, if you want to read my review in its entirety, you can check it out here. I’m always excited to get to meld my passions together after all!
You can also see my full archive of work for the Daily Titan over on the right.
I’m sure I’ve said this before, but it’s very rare that I get the pleasure of seeing my two passions – video games and journalism – meld so nicely together at this stage in my career.
So I really enjoy the times that they do come together, like with this review I wrote about the Mario & Luigi Superstar Saga remake.
After a couple of long, rough weeks dealing with a mass shooting and some crazy local fires, it’s been a blessing to have a game to unwind with recently, particularly a game that holds such a strong place in my heart.
Seriously, re-experiencing Superstar Saga has been an absolute joy, even if the whole time I feel like I’ve been focused more on deeply examining what’s different, both the good and the bad changes. That kind of critical eye did make it easier to pull things apart for a review, but it has certainly made the actual act of playing a whole different animal for me.
Oh, and pull things apart I did, as I focused this review much more on how things differ compared to the original game than I did on the game itself, since I figure that’s what should be done for something like the review of a remake.
While I did have a great time with Superstar Saga (and I’m not quite done yet – I’ve beaten the main story but I haven’t yet finished collecting everything 100 percent, and I’m still working my way through Bowser’s Minions), it isn’t perfect by any means. It is vastly improved upon compared to the original in almost every way imaginable, but there is a lot that feels like a backpedaling as well.
I try to address some of those points in my review, but the chief complaint I had with the game really boils down to the battle system. Compared to the original game, this remake has gorgeous sprite work that lends itself to really complex and over-the-top character animations, which are nice but make each action feel longer. On top of that, the battles are easier than I remember them being (much like the rest of the game in all honesty) and the music contributes to slogging battles down and making them grow to tedium faster by sounding far slower, seeming more eclectic within itself and has more synthetic tones.
If that makes sense. I’m not much of a music reviewer, but that feels right in my head.
Despite this issue, the game is still hilarious, beautiful and sounds great by all other accounts, and I’d highly recommend picking it up if you have experienced the story or if you haven’t before. It’s just too bad that the system you spend 90 percent of your time experiencing is arguably the worst part.
Oh, and when I say the game feels way easier than I remember, I’d say take the comment with a grain of salt. There are a lot of gameplay functionalities which have been vastly improved upon to streamline aspects of the experience, and those improvements do make the overall experience seem easier… But at the same time I also had the entirety of this game memorized like the back of my hand before walking in, so it might not be that much ‘easier’ for someone who’s never heard of the game before.
Plus the endgame still has a big difficulty spike when going through Bowser’s Castle in my opinion, so there’s always that.
Either way I certainly don’t mind an easy game here or there, if nothing else that ease helped this be a wonderful stress relief and trip down memory lane for me.
Unfortunately, I didn’t want to burden my editor Sarah with too much in regards to putting this article together (even though the 900 words I have can already easily be considered overkill), so much of what I wrote out in my drafting process got left on the cutting room floor.
Luckily this blog seems like the perfect place to rectify that. So, if I have the time, expect a more complete unabridged version of my thoughts on Superstar Saga + Bowser’s Minions sometime here in the near future. It’ll be long, it’ll be hella involved, but that’s the magic of a personal blog. It offers you a place to shout your endless opinions into the void.
At least, that’s how I like to use it anyway.
If you want to see my article in it’s entirety (the theatrical release version at least, as I like to put it), you can see it here. You can also see my full catalog of articles for the Daily Titan over on the right!
Turns out, the game review wasn’t the only thing I wound up getting published today. It was going to be, but then we decided to run an update on the Anaheim Hills Fire, and I got slated to work on that.
So, since I already had the entire gaming part written up early (shows me for trying to be ahead I suppose), I figured it’d be worth adding this portion to the bottom here.
I don’t really have a lot to say necessarily, this story was more of a straight-forward deal. I pulled together some tweets from the Anaheim Fire & Rescue department that gave the most recent updates on containment of the blaze, as well as some information from the California Department of Transportation talking about a local highway that was partially reopened on Friday.
Then, once I had those basics down, I got in touch with the Orange County Fire Authority, where I was directed to the Public Information Officer for the Canyon 2 Fire, Mike Yeun. The guy was real nice, more than willing to chat even while he was driving, and he gave me a bunch of good information to fill out my story. It definitely made things much stronger than the basic 200 word short update I had before.
For anyone curious, the fire was 75 percent contained as of 7 p.m. on Oct. 14, and authorities are expecting full containment by Oct. 17. Things are well on their way thanks to the effort of apparently over 1,600 firefighters at one point at least.
If you want to see that article in it’s entirety, you can check it out here. Or, once again, everything I’ve written for the Titan is over on the right, so you can check that out too if you want.
I frankly relish the opportunities I get to mix work with leisure once in a while. Like when I had the chance to review Pokémon Sun and Moon for the Daily Titan, this week I published an article reviewing my latest mobile game obsession: Fire Emblem Heroes.
After the practice I had writing that Pokémon review last semester, this one felt much easier to craft overall. The only really difficult thing about it came in the juxtaposition between how I tend to write and the publication’s necessities. While I can easily write over 3,000 words dissecting the smallest things in a video game (as I’ve proven here time and time again), a general newspaper audience likely won’t care much for seeing me geek out for that long.
Thus, it was up to our A&E editor, Kaleb, to help reign me in and simmer down my work into something more succinct that hits right at the heart of the strengths and weaknesses of the game. He’s an awesome editor and an even greater guy to spend time with, and without his help I’d still be stuck with an over-embellished description of the differences between hand-to-hand weapons, magic and colorless units in the game.
He also does some pretty stellar reviews for the paper. I’d recommend his pretty recent Resident Evil 7 review, since I’m sure that’ll appeal to the kind of audience I tend to draw. He even did a multimedia live talking review about the game to go along with it, which is pretty sweet!
Even with Kaleb’s help, my article still wound up being the longest thing he published at about 800-900 words or so… But to be completely fair, this article might not technically be published in the same sense as the rest of my work for the DT. Because of some spacing concerns in our special weeklong sex-themed issue, A&E had to cut their page and run all their stories online. So this review wasn’t put out in print, but it was published online.
Luckily, for my purposes here, that’s more than good enough.
While there are plenty of things I feel have been left out of the review from the perspective of someone who obsesses too much over a game when he enjoys it, I still really like how this piece turned out. I’m sure if I ever want to dig deeper into the gameplay strategies and mechanics, or if I want to talk about my five star monsters Tiki and Minerva, I’ll write up a separate post some time in the near future.
If you want to see the review in its entirety, you can see it here. You can also check out my whole archive of work for the Daily Titan through the link over on the right!
Even more than a month later, I’m still deeply enthralled in the world of Pokémon Sun and Moon. In fact, I’ve just seriously begun doing some competitive breeding, so I’ll probably be posting about some teams I’m building as I get them together.
However, something else has been released recently that I felt was worth taking the time to look at.
If my post title and featured image aren’t enough to have given it away, welcome to my mini review/first impressions post for Super Mario Run (To be abbreviated SMR from here on out).
Now, to preface this just a little bit, I’ve only played through the currently available free-to-play content portion of SMR. That means I’ve done World 1-1 to World 1-3, and I’ve done enough online play to have my castle reach level 4.
However, while I’ve only played through the stuff available before hitting the paywall as of writing this, I will say that the game is well worth the (admittedly rather steep for a mobile game) $10 required to access the six Worlds. I say that for three reasons:
1) Game Feel
First, the game exudes that high level of polish most Nintendo games are known for despite being on a new platform.
After a brief control tutorial, the game drops you off at Toad Town and Peach’s Castle, both in their apparently natural state: Demolished by everyone’s favorite resident Big Bad Boss, Bowser. From this screen you can look at your collectibles, mess with your friend’s list, notifications, receive gifts, connect to a Nintendo account so you can make you player icon a Mii and access other similar mobile game mechanics. However, the three most important parts of the game come at the bottom of the screen with the Tour, Rally and Build sections.
Selecting Tour allows you to access what is essentially the main story levels in SMR, revealing just what the game is. Nintendo’s first mobile game is a 2D endless runner game similar to titles like Bit Trip Runner and the Sonic Storybook Series (Though the Sonic games are in 3D and are generally less than enjoyable… In my opinion, at least).
The game uses the New Super Mario Bros. graphical engine that’s gotten more than enough love since it brought Mario side scrolling games back in 2006, and it uses those graphics rather well if you ask me. Though the ability to translate a 2D side scroller into an endless runner may seem obvious, the execution of such an idea seems like it would be very easy to get wrong.
However, I would argue SMR gets the endless runner formula right by pretty flawlessly combining a classic, beloved look with new mechanics meant to emphasize a style-based form of gameplay and a substantially intriguing amount of challenge even in early levels.
Granted, any semblance of a story is next to nonexistent past the generic “Save Princess Peach from Bowser” series mainstay… But for a mobile title like this, the lack of a story is fine, and the fact that it even has that could probably be considered a plus. Luckily, the other portions of the game make up for this.
The second main part of the game comes from the Toad Rally mode, which is SMR’s multiplayer aspect. Part of the destruction of Toad Town and Peach’s capture involved all the Toads living in the now destroyed city running away. In order to rebuild the castle and the town, Mario needs to gather Toads, and to do this you have to participate in rally runs against other SMR players.
Using Rally tickets that you gather through various means (such as completing challenges in the single player game or through micro transactions), you can choose an opponent to Run against. Toad Rally has you racing against the opponent you’ve chosen across a set, repeating map to collect as many coins and gather as much Toad support as possible. Collecting coins is an obvious task to complete: Just run, jump, defeat foes and wall-kick to get as many as possible.
To gather Toad support, however, requires you to utilize SMR’s main new feature and arguably its main selling point: The style system. While you can perform all of Mario’s usual jumping techniques, the nature of a free runner changes how the side scroller operates. Instead of having to jump to cross all barriers and to defeat every Goomba and Koopa, Mario does an acrobatic flip over each of the small creatures and tiny gaps/barriers he comes across. The act of his instant mobility over these obstacles is automatic, but nets you no benefits. However, if you tap the screen in a timely manner, you do more fancy tricks and flips that defeat enemies and earn you style points.
Not only do these actions often get you more coins, they build up your Toad support and your style meter, which can eventually activate coin rushes.
These rushes do essentially what they sound like they would do. More coins will spawn for the duration of the meter’s charge, enemies will net you more coins and you’ll build up more hype from the little mushroom men that are cheering you on. These coin rushes perform a similar function to the classic Star power-up you can find hidden sometimes in-game, though the Star also attracts coins within a large vicinity in front of you, ensuring you get them all.
Seriously, if you played and enjoyed New Super Mario Bros. 2 for it’s coin-centric gimmicks, you’ll probably love how satisfying coin collection is in SMR.
You can keep the meter charged even while it’s depleting by performing more tricks during the rush, though Mario speeds up during that period so it can be harder to keep up a chain like you normally could. There’s a huge collection of tricks that Mario can perform to make this task easier, and there are even some tricks exclusive to other playable characters like Luigi, Yoshi and Princess Toadstool herself.
Although you pick opponents for your Toad Rally matches based on real players, you actually play against a ghost of their performance on the same level that you Run on. Therefore, although you don’t have to literally be connected to anyone in order to get in on the multiplayer fun of SMR, you still compete against the performances of other fans of the game. You still have to beat their coin collection scores as they do the same things you do, every coin rush and death included.
Deaths, I might add, are a very interesting thing to observe in SMR. The game synthesizes elements from different Mario titles together, showing a progression in style throughout the last few years of Nintendo’s history with the franchise that has really blossomed into something neat. When a player dies, you get an indication on your play area for where they died similar to the red X indicators in Super Mario Maker. A dead player will then be lifted back into the playing field with a bubble, one of the chief elements common to every New Super Mario Bros. game with multiplayer capabilities. Deaths will take coins away and bubble travel will bring you backwards through a stage, causing you to fall behind in a Toad Rally.
In single player Runs, deaths will cause the same things to happen, however the bubble can be used strategically. If you miss one of the special coins on a stage (something I’ll get into in a moment), you can activate one of your limited bubbles at any time to go backwards and give yourself another chance to catch what you missed – unless it happened to be time-based, of course.
Once a Toad Rally is over, your coins are tallied up alongside your opponent’s coins to see who has collected the most. The amount of Toad support you got throughout the round adds extra coins to your score. Whoever Toadette decides to elect the winner gets more Toads to join them in Toad Town, which in essence acts like the experience points in SMR. However, be warned, if you lose a match against another player not only have you wasted a Rally ticket, you also lose Toads to your opponent.
It’s a tough break in the SMR world, for sure.
Like I said, Toads are your experience points in SMR. The more you collect, the more you level up. The more you level up, the closer you get to repairing Peach’s castle and returning Toad Town to its former glory.
That brings me to the third major part of the game: Toad Town customization. Though not an endless running game mode, the build menu allows you to spend all the thousands of coins you’ll be collecting throughout your endless runs. Most of the things you can buy are aesthetic. Toad houses, flowers, garden pieces and so on. However, you can also buy useful set pieces like bonus mini game houses, which you can access every eight hours or so to have a chance at getting more Rally Tickets and coins.
The more Toads you collect through Toad Rally, the more decorations will be available to you. There are five colored Toads available to collect: Red, Blue, Green, Purple and Yellow. Collecting each color will allow you to unlock different things, however I believe Red is the only color available when you haven’t purchased the full game.
At least, that’s the only color I’ve been able to find.
Eventually, collecting each color will allow you to access Rainbow Bridges, which I can only assume will unlock new areas to decorate… But again, I haven’t been able to get more than the Red Toads.
Though seemingly a bit shallow as far as a reward for all the work collecting coins and Toads goes, the building portion of the game does add a nice element of personalization to the game, and the tiny hub world is honestly a really relaxing place to let your phone sit when you’re doing other things. Toads will also wander around the area and do things like roll around on the grass, so it’s hard not to find the little fungi adorable.
The second reason SMR is worth the buy: Although it’s clearly built to be in more bite-sized bits, SMR seems to have enough content to warrant the price tag without fitting the bill of a far more expensive console title.
Like I said, only 3 levels are available pre-purchase: World 1-1, 1-2 and 1-3. The levels mimic exactly what everyone has come to expect from a classic Mario game, one aboveground level, one underground level and one sky-high mushroom level.
The first three levels in Super Mario Run
The levels aren’t exactly very long. Or at least, the nature of their existence – in which you’re constantly moving – makes it feel like the levels are a lot shorter than they might otherwise be if you had total control over Mario.
However, each level has enough replay value to ensure you won’t blow through the three level trial quicker than you can say “King Koopa.” Beyond the obvious multiplayer aspect of high scores that you can compare with your friends, each level has a certain collectible that will keep you coming back over… And over… And over again.
Colored Coins for the first three levels in Super Mario Run
Every level in SMR has five collectible Pink Coins when you first play through it. Chances are you won’t collect all five on your first time through, since many of them are hidden, sometimes hard to reach based on timing or touch strength or down a fork in the road that you can only access both ends of if you utilize your bubbles well. So, on average, I would say that collecting each Pink Coin in each level would require at least two Runs, as they’re mostly in obvious places.
But once you collect all five Pink Coins, you then unlock a new version of the same map with five Purple Coins. Purple Coins are, naturally, harder to find than the pink ones are. More often than not the layout of certain obstacles and coin collections in the level will be far trickier during a Purple Coin run, forcing you to have to do things like check coin boxes to collect every coin (which is admittedly a much harder task than normal in this gameplay style).
Once you collect all five Purple Coins, you then unlock an even harder Black Coin Run of the level, which takes difficulty to a whole other level compared to the earlier versions. In Black Coin Runs, coins will be hidden better and obstacle layouts will typically require precision playing and planning ahead to collect all five.
For example, in the screenshot above, to collect the Black Coin you need to not only stay on the yellow mushroom to ensure you’ll fall in the right area, you also need to make sure you time your jumps on enemies correctly so you don’t fall to your doom instead of soaring to victory (Oh, and I have to say, Paratroopas are my least favorite enemy as far as precision jumping goes. Most of the time you need to land in exactly the right place and tap with just the right amount of strength to make sure you don’t lose a mushroom power-up or fall to your doom. It’s annoying to say the least).
Also, did I mention there’s a Paratroopa earlier in the level that if you happened to hit will send a shell forward ahead of you that just so happens to knock out the first flying Paratroopa on this screen, thus ending your chances of getting this particular coin? Yeah, it’s a pain. Hence pre-planning and multiple runs through each level. With extra space below the playing field left blank, Nintendo also set up a way to make sure your finger doesn’t get in the way of the gameplay or obscure anything in front of Mario. It’s a small but very greatly appreciated detail.
I could complain all day about how annoying the Black Coin Run on World 1-3 is, but to be honest it isn’t so much annoying in an unfair sense as it is in a truly difficult sense. When you fail, it’s because you didn’t perform an action perfectly. Every element is laid out exactly how it needs to be laid out, and the complexity is enough to make the level interesting to play and frustrating enough to want to conquer. And that’s only for World 1-3! I can’t imagine the creative level designs that show up in World 6, those have got to be ridiculous.
Oh, and by the way, there is a reward for collecting all five colored coins in a given level for all of your Completionists out there (Yeah, I can’t consciously steal the word without sourcing it out… I already used Big Bad Bosses in my post, after all).
That’s right, you can get six Rally Tickets per level if you play your cards right, enjoy a challenge and find precision gameplay fun. Luckily, I fit all three of those criteria and found the challenge fun, even if it did get fairly frustrating.
To top all of this fun, challenging and rewarding gameplay off… SMR has some kick-ass earworms music. Every track is the classic Mario song you would expect to hear that’s been amped up with techno vibes, really emphasizing the constant action of the gameplay. The menu and hub world music has also been remixed. Combine all of that with the tried and true Mario sound effects and you’ve got an audio experience that will keep you humming along hours after you finished your last Run.
3) Nintendo. Mobile Games. Winning.
The third reason SMR is worth the buy… Should be obvious. Come on now, this is our first mobile game released by Nintendo (if you don’t count Pokémon GO). That’s definitely the kind of thing worth supporting if for no other reason than to ensure Nintendo continues to create worthy mobile gaming content.
Like I’ve reiterated throughout this not-so-little review, I’ve only completed the basic free-to-play content in SMR. I spent maybe an hour and a half (two hours if I’m being generous) learning how the game works, collecting all 45 available colored coins and participating in a few Toad Rallies. While this may not seem like a lot of time in the grand scheme of things, the fact that all that time was spent on three main story levels and four multiplayer level-ups is honestly pretty impressive considering the game is obviously meant to get harder and longer the further you get in past the ‘tutorial’ levels.
Nintendo’s impressive levels of game design and polish shine through with this title just as much as it would in any main series console Mario game. The amount of care is clear in every little detail – after all, look at how much I pulled out of just two hours or so of play. As a company, Nintendo has become an expert at taking their assets and improving upon them over and over again through every installment of their franchises. Super Mario Run is no different. Despite seemingly being a rehash of various old elements covering a slightly new skeleton, the game really feels like its own unique entity.
For the challenge, for the music, for the tried and true gameplay with a unique style of mechanics, for the fun multiplayer aspects and ultimately to encourage more great content in the future, I would highly recommend not only downloading the game, but shelling out $10 to get everything currently available.
Two articles in two days? Fairly unprecedented, but certainly not a bad thing I’d say.
While yesterday’s story was my profile for the Features page, this story is quite a bit more entertaining. I wrote a review for the Arts & Entertainment page for my buddy Kaleb, our A&E editor. As a hardcore newsy person, it’s been pretty nice to let my skills expand a bit this semester, I have to say. Because of my news-oriented background, I’m sure you all must be asking just what I wrote a review on exactly?
Well, Pokémon Sun and Moon of course. What else would I write on, I’m pretty much an expert in almost all things Pokémon and have nearly 90 hours sunk into the game. Plus, I almost never get to mix my passions for video games and writing on this kind of scale, so how could I pass up the opportunity to vomit all my thoughts on a page for mass consumption?
Also, when I say vomit all my thoughts, I pretty much mean it literally. I hit a weird place with this article to be honest. On the one hand, I know so much about the series and about Sun and Moon that it was simple to run through the list of everything I enjoy and everything I find less than stellar about the games. However, on the other hand I had to make sure not to get too in depth and nerdy with my writing because I was writing for an audience that probably won’t be as much of an expert in the subject as I am.
Hell, I wouldn’t be surprised if a lot of people that see the article have never even touched Pokémon in their lives – as hard to imagine as that can be for someone like me.
Because of how much I had to say, I wound up writing a fairly long piece about the games, one that I expected to get cut down for spacing concerns. There wound up being far more room available than we expected in the end however, so the 1000+ word review ended up getting printed just about in its entirety.
I tried not to spoil any plot details or get too in depth with some of the deeper mechanics and things I enjoy about the games, but I still think I put together a really solid little review. I’ve talked about them more than enough on this site here, so I won’t reiterate much, but it’s a nice summary of a lot of things in a (somewhat) succinct package. So, check if out if you’ve got the chance, because I’m pretty proud of it!
If you want to see the review in its entirety, you can see it here. You can also check out my whole archive of work for the Daily Titan through the link over on the right!
Oh, and just FYI, there may or may not be some extra multimedia content on the horizon to go along with this. But I’ll cross that bridge when we come to it.