Tag: Tom Cruise

Impossible to Miss

Impossible to Miss

There were many reasons why DC’s 2017 cinematic film Justice League was a critical flop.

Amongst them was the fact that some of the CGI was kind of wonky. The fight scenes, particularly during the climactic fight against a dark red backdrop, were mostly hit-or-miss.

However, arguably the most disastrously well-known CGI mishap in the movie was Superman’s mouth.

See, as the story goes, Henry Cavill moved on to take part in Mission Impossible: Fallout after he finished recording his scenes for Justice League. The part required him to grow a bushy mustache.

Then DC decided to reshoot parts of Justice League after Joss Whedon took over as Director. By then, Cavill was full mustache mode and not allowed to shave due to Paramount stepping in.

So much money was spent digitally removing the mustache, and everyone universally agrees the effect was awful.

True story.

While that may have become one of the downfalls of DC’s big crossover event, now that I’ve seen the new Mission Impossible… I think it was worth it to save this movie.

Fallout, the latest in the long-running Tom Cruise tentpole series of action-adventure spy thrillers, is a great movie. Action-packed, well-acted and full of some gorgeous cinematography.

Yet… The whole isn’t necessarily a sum of its parts. For all of the wonderful things within Fallout, it feels incredibly bloated at its two-and-a-half hour runtime.

Frankly that was the biggest complaint my family pretty much collectively came to after leaving the theatre. Each scene on its own was pretty wonderful, but a good chunk of them could have been easily left on the cutting room floor without losing anything. Making the film better, somewhat more concise in fact.

For instance, as the trailers show, much of the movie is set in Paris, France. However, the climax of the film takes place in Kashmir. There’s an entire sequence between those two locations that takes place in London, England which could have easily been cut down wildly and happen in Paris as well.

There are also far too many action scenes. The most prevalent ones in the trailers, a fight including Tom Cruise and Henry Cavill in a bathroom, happens early in the flick. It’s wonderfully choreographed and edge-of-your-seat intense.

But then there are easily six or seven massive action scenes throughout the rest of the film which all give the same rush without a break. It’s exhausting in practice, despite the fact that each fight or chase is memorable on its own.

Peter Rosenthal puts it best in his three-minute review of the film for the Onion honestly:

But action is what’s expected of a Mission Impossible movie. Tom Cruise will always be doing his own stunts. It’ll always, always be fun and exciting — even if slightly overdone this time around.

What I hadn’t necessarily been expecting out of Fallout were the wonderful interactions between Cavill and Cruise, as well as some of the actually stunning shots in the film.

On the first point, watching Cavill come into the MI universe with such a robust, fun role actually made me mad. He is a great actor who really sells a complex (though somewhat predictable) character who fits right into an already well-established canon.

I really wish DC utilized him better. Because if I’m showing my cards, the DCEU Superman isn’t really that great in my opinion. But now I know that he could be fantastic if he was given a better set of circumstances to inhabit.

As a side note, when I mention Cavill’s character being predictable, the same could essentially be said for most of the movie. Many of the plot beats are set up well in advanced and fairly easy to read for anyone who has enjoyed their fair share of spy thrillers.

But I feel it’s a testament to Fallout’s screenplay that even when early film predictions one might have, do come out correct by the end, it’s still a wild ride getting there. A ride which takes those predictable ideas and does utilize them in ways which still have surprises and intriguing twists.

Honestly I think a good reason for that is the chemistry between Cruise and Cavill. While the other members of Ethan Hunt’s crew do still have significant roles, they take more of a backseat to Superman and he really steps it up.

The other thing I loved about Fallout were a number of the action set pieces throughout. As I mentioned, much of the movie takes place in Paris and boy do they make good use of that locale.

Fallout showcases a variety of things in Paris, from famous landmarks to smaller alleyways that paint a real picture of what can be seen.

Their use of landmarks in particular are very well done. Probably my favorite action scene in the film was a chase between a motorcycle-riding Cruise and the Parisian police. In it, there’s a long tracking shot of Cruise driving backwards through traffic in a circle around the Arc de Triomphe.

It’s a gorgeous shot and really well-paced within the scene to be exciting and cool without lasting too long as to lose its luster.

There are scenes like this all over the movie that are captivating… But like I mentioned before, falters in that there are arguably too many of them. There was enough content in Fallout to easily fill two movies, and a more hefty editor would have been appreciated.

The climax of the movie is especially bloated and honestly jumps the shark to a ridiculous degree. Which is saying something considering we’re discussing Mission Impossible.

I won’t give too much away. I’ll just say it was the clearest case of ‘they should not have survived this’ in the movie, which winds up highlighting how many times the characters should have died throughout the entire rest of the flick.

In spite of that, even the climax takes many clichés of the genre and presents them in a way that’s engaging. So I’ll give the filmmakers credit in that regard.

In all honesty, if the Mission Impossible franchise is something you enjoy, it’s likely you’ve already seen the movie. It’s certainly a re-watchable guilty pleasure of a series for my family. In that case, I’m sure you enjoyed this movie as much as we did.

Because in spite of its somewhat glaring issues, it’s still a fantastic Mission Impossible movie at heart. One with great action, stunning visuals, some well-crafted character moments and an intriguing collision of at least five-or-six different groups that doesn’t really lose focus or become confusion.

If you are new to Mission Impossible, however, just know that this particular entry in the series is very long and very draining to sit through. A good amount of it could have been cut out, even if it was great.

Basically the movie was too much of a good thing, but still good all the same.

Plus, as far as I was aware, it managed to have a number of beautiful female characters involved in pivotal action and character-driven scenes — and none of them got undressed once during the movie.

So good on you MI crew. Glad to see you had some restraint.

More YouTube Recommendations

More YouTube Recommendations

I know I basically did this exact same thing less than a week ago, so it probably seems like this is a cop-out.

But honestly just consider it a symptom of me spending the whole day cleaning the house. Don’t have too much to talk about outside of inhaling chemical fumes all afternoon, so I figure it’d be much more engaging if I talked about more content creators I’ve discovered on YouTube over the past few days that have helped make the cleaning more bearable.

That said, welcome to… That thing I just said!

Yeah. Get hyped.

While the previous ‘check out these content creators’ post I did focused primarily on people who talked about comic book lore and writing conventions in cinema, the two people I want to talk about today primarily discuss writing conventions and cinema.

But in more specific details this time around. I swear.


Lindsay Ellis

Though I initially saw her content adjacent to the Nostalgia Critic some years ago, I only just recently discovered Lindsay Ellis for her purely solo career here doing video essays.

Video essays which are wonderful and educational in all the best ways.

More than basically anyone I’ve seen before, she takes deep dives into the minutia of film studies, as well as the history and cultural influences behind media that she, primarily, seems to hate in one way or another.

Though not in a CinemaSins-style “let’s just tally up all the shitty things” kind of hate, more of an academic “here’s what works and what doesn’t” kind of hate. Which just so happens to mostly target pieces of popular culture that leave her drinking herself into more of a stupor the longer she talks about them in an unexplained but great little running gag.

Out of everything of hers I’ve seen thus far, my favorite pieces would have to be her discussion on how the live action Beauty and the Beast is terrible about remaking a classic (with additional shout outs to her other Disney-themed videos on why Hercules isn’t a huge blockbuster and why Moana was Pocahontas but better), a lengthy piece on why the Netflix Will Smith movie “Bright” was terrible, and two documentary-length multi-part series on why the Hobbit failed and how Michael Bay’s Transformers franchise can be read from a multitude of different film study disciplines.

There’s just a bunch of good stuff all around, and the sometimes dejected tone of dealing with film studio bs and expectedly horrible comment sections on videos are nice additions to really thought-provoking ideas.


Pop Culture Detective

Where Lindsay Ellis seems to approach much of her content with a clear underlying sense of love for the film industry as a whole, Pop Culture Detective takes a vastly more critical look at everything in cinema (as well as television and occasionally video games) that are problematic in relation to one subject:

Masculinity.

As a fair warning, these videos hold no punches when it comes to eviscerating popular culture for instilling often toxic values often without intending to. If you love franchises like Star Wars or actors like Tom Cruise and Bruce Willis, it may sting some to watch these sorts of analyses.

Yet, that’s clearly the point. An effective one, at that.

It’s clear throughout multiple videos that the Pop Culture Detective loved many of the movies he discusses to death as a kid. But when he began to look at them in a new light, he was able to pick apart problematic patterns that we can all learn from even if we love the original content.

More often than not I find his content most effective when it delves into those patterns which have grown throughout the history of cinema. For example, his videos on abduction and stalking as abundantly-used tropes were eye-opening in that I frankly didn’t realize just how often they are used.

His more individually-focused pieces, like a video on the backwards logic of the Jedi Order in Star Wars, are also great.

Yet he also spends time talking about more positive representation of diverse forms of masculinity, like in a video about Fantastic Beasts and Where to Find Them.

In fact, no matter what’s being covered, this creator clearly spends an ample amount of time looking into the subjects for their faults and what kind of effect it has on our culture, but at the same time he isn’t just blatantly negging everything and everyone in the industry.

More often than not he at least makes the aside that there likely isn’t an intent to be a bad influence, even if it sometimes comes across that way from how he otherwise presents the material.

It’s a well-balanced, educated look at film and T.V. through a lens that I don’t often see given as heavy a focus, so definitely check Pop Culture Detective out.


So those are the two content creators I wanted to introduce you all to today. Both with very different approaches at the same goal: Educating the public on more positive ways of producing film and other media.

What do you think of these two? Are you interested in the technical and theoretical sides of filmmaking?

If so, let me know in the comments! Also, if there are any creators whom you believe are worth their weight in views, let me know about them too. I’ll certainly be on the lookout for more things to watch as I continue my pursuit of a clean house during these fleeting final summer days.