A good, old-fashioned map can add a whole lot of character to a place.
Sure, the colorful country-accurate map of the Earth on a globe is an impressive sight especially fully animated online:
But that view of the planet is a bit too modernist and clinical for my tastes.
I’m more of a fan of classic, stylized pieces such as the 1643 depiction of Europe by Dutch mapmaker Cornelis Danckaerts that I used for my Featured Image. It’s just the sort of rugged, swarthy style you’d expect to see in some kind of fantasy novel.
Replace that boat off the port of Spain with some kind of serpentine sea creature and it may as well be the map of a fantasy world. Like something you’d expect to see from J.R.R. Tolkien’s Middle-Earth.
Speaking of, did you know that there’s an interactive Middle-Earth map available online? It is full of complex names and points of time for different important events.
That’s the kind of stuff I love.
As I’ve made more progress in my Senior Honors Project novel, I’ve found it necessary to start keeping track of all the locations I’m name dropping to give the world a little more history and life.
To remember places I might want to bring up later and also lay everything out on a more cohesive latitude and longitude for when I explain travel across the content — as my book will include plenty of travel.
During class yesterday, I started to draw out a rudimentary sketch of my world map on a sheet of paper:
But never before have I put one together that might actually be useful.
So it was serendipity that, while sitting in my Honors 400B class last night, my friend Mimi noticed my drawing and offered to point out some free campaign map making software she knew about for Dungeons and Dragons.
How was I supposed to say no to that?
Of the software I got pointed to, my favorite was a website called HexTML, which as the name implies lets you create a world of your own using hexagonal signifiers like the board game Settlers of Catan.
Many hours were spent last night screwing around to translate that hand-drawn map into something that could reasonably be shown off to the world.
It’s still open to adjustments down the line and I’d like to put names on all of the areas and towns through the site, but for now I’m really proud of where I’d gotten:
While the continent proper does not yet have a name, but a lot of the structures within it do.
The town on the lower left is Fehrn, where my main characters live.
The singular structures around Fehrn are ruins of the old western empire that have been used as treasure hunting locales. To the north, that black cavern, is an underground chamber where my story begins — just below the Redbark Woods.
To the lower right is the Gnarled Forest, a large mesh of roots, branches and bark that was nigh impenetrable for eons. The old elven tribe was able to thrive there before being attacked.
Just above that in the mountain range hides a small structure signifying the capital of the Sparrine Empire. The Sparrine being the bird people who are basically France, taking over the region under bird Napoleon. Talked about that recently.
Moving onto the other side of the map, a few new main areas stand out.
Hidden in another mountain to the right of the Sparrine empire is the Prophet’s Sanctuary, where my main characters must travel.
Below it is a yet unnamed lake with an equally unnamed port town to its right side where the player character of my story’s game world will have to take on bird Napoleon in a thinly veiled allegory to the Battle of Waterloo.
Spoilers, I guess. If you know historical stuff.
The walled city to the right of that lake is the capital of the Bresegon Empire, where the lordly prince character hails from. Just above it is the ruins of an older nation’s capital.
Essentially the ruins of Rome beside the now prospering Byzantine Empire.
All of those ruins to the leftmost side of the region being the desolate remains of the Holy Roman Empire’s holdings.
Those are some of my world’s major locations, as far as I’ve planned things out up to this point. With all of the plot beats generally worked out for my story, I’m especially excited to start using a bunch of them now that I have a spatial awareness of how everything fits together.
Hope you’re interested in seeing some more cool little behind-the-scenes details on my writing like this from here on out.
Now that I’m getting into the book, I’m sure I’ll have a lot more to share.