Tag: Kotaku

Sword and Shield news: Exclusive trainers and Gigantamaxing

Sword and Shield news: Exclusive trainers and Gigantamaxing

I can’t believe I’m going to break my self-imposed blogging restriction on account of Pokémon today and Fire Emblem tomorrow.

Here I was ready to sleep through the morning, but no. Apparently I have a problem.

Let’s just jump in so that I don’t spend a billion years writing this post — as I tend to do with these updates. I’ll keep it short and sweet by focusing on three things addressed in today’s trailer:

Version exclusives, new Pokémon and… Gigantamaxing.

Sigh.

Version Exclusives

Version differences are not new to Pokémon.

The series’ initial hook was monsters exclusive to Red and Blue version so kids would trade in order to “catch ’em all.” Every generation has had exclusives since.

Gold, Silver and Crystal started the trend of different versions having unique legendaries that changed details about an overall identical story (though Yellow technically led the way by making an anime-inspired version of Red/Blue/Green).

Arguably the first major game-to-game change was the Magma/Aqua split in Ruby and Sapphire, even if they were just different villains in the same circumstances.

It wouldn’t be until Emerald version that they truly stood out as different entities.

In Sword and Shield we will be getting version exclusive Gym Leaders. Sword will have the Fighting-type Bea, while Shield will have the Ghost-type Allister:

Images courtesy of Serebii

We haven’t seen differences in the Gym Leader roster since Black and White, where the eighth Gym could feature Iris or Drayden. Though Iris was clearly better since she went on to be the Unova Champion.

These newbies will have to battle for who is better. To me, it’s an even match so far.

Allister is a Mimikyu lover with a Shy Guy mask. Meanwhile, Bea is a Hitmontop lover who must be getting all the fan art on account of her exposed feet.

Both seem like great additions to the canon!

The trailer also introduced Rose, chairman of the Galar Pokémon League, and his assistant Oleana. As far as I’m aware they are not version exclusive, but there’s so little about them that I couldn’t figure out where else to slot this.

You’re welcome.

New Pokémon

Can’t have a Pokémon news update without new Pokémon, though one of the monsters revealed isn’t new:

Yamper

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Image courtesy of Serebii

Yamper was seen in Sword and Shields’ E3 demo, but now we know more about the adorable Corgi with the heart-shaped butt.

For instance, he charges electricity by chasing cars and has an ability that lets him catch one Pokéball. Literally playing fetch.

That’s really all we need to know.

Alcremie

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Image courtesy of Serebii

Alcremie is a foot-tall pile of whipped cream and strawberries that drugs its opponents with whipped cream that chefs also like to use on desserts.

Because if Game Freak wants us to know anything about Fairy-types, it’s that half of them are edible.

Also Alcremie becomes a giant cake when Gigantamaxing…

But we’ll get to that.

Rolycoly

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Image courtesy of Serebii

I’m all-in on Rolycoly for its name alone.

This new Rock-type is essentially a mobile ball of coal with a lamp that must have been a godsend during the Galar Industrial Revolution. It’s new Steam Engine ability increases the Pokémon’s speed when hit by Fire or Water-type moves.

So you know.

It has Overheat synergy?

Duraludon

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Image courtesy of Serebii

We’ve saved the weirdest for last.

Duraludon is our first Steel/Dragon-type since Dialga. But instead of being a wicked cool time dragon, he’s like…

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Image courtesy of the Sword and Shield website

I’m not even sure what he looks like. Some kind of weird gun? Or airplane part?

But hey, this weird airplane part goes head-to-head with Tyranitar apparently.

So it has that going for it.

Gigantamaxing

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Image courtesy of Serebii

I don’t have a lot to say about this.

I gave my thoughts on Dynamaxing last time, but the fact that there’s a special version of that mechanic only adds to my hesitation.

Gigantamaxing Pokémon are extra exclusive variants of Dynamaxed Pokémon that trainers can sometimes find during Max Raid Battles.

They look different, have better stats and a more powerful “G-Max Move.”

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Image courtesy of Serebii

Like… Is this something we’ll have to breed onto our Pokémon if we want competitive Gigantamaxing over Dynamaxing?

I don’t know, man. The official website only has so much information, so I can’t fully speak to the merits of this mechanic.

All I can say is I’m unfortunately still not into it.

And that’s that, ladies and gentlemen. New Pokémon information to salivate over.

While I’m not enamored by Gigantamaxing and the latest crop of monsters are more on the weird side, I’m still plenty excited overall. Especially by the prospect of having more unique trainers to meet on each journey through Galar!

So let me know what you think of this latest trailer.

While you do that, I’m going to make use of this closure and go back to sleep.

Late to the memorial

Late to the memorial

Naruto was probably my favorite anime growing up.

I first watched 1986’s Dragon Ball, and I distinctly remember doing silly things like watching an episode at my neighbor’s house when Mom wouldn’t let me at home.

Shout out to Norm and Sue, wherever they are now.

However, that show never stuck with me like Naruto. I had a particular love for Gaara as an antagonist-turned-ally, Kimimaro as a villain with incredible powers and Hinata.

Some might argue she was my first “cartoon crush,” but I believe she was more my introduction to a beloved character pairing in Hinata/Naruto. That was the start of my downward spiral toward shipping.

Yet I never watched Boruto, the sequel series where that love was vindicated by their marriage. I also never watched much Naruto Shippuden.

For whatever reason I stuck to the original series.

Though my fandom did live on in video games. Namely Naruto: Ultimate Ninja 3 on the PS2, Naruto Ninja Council 3 on the DS (which became the basis for my sprite animation magnum opus) and Naruto: Clash of Ninja Revolution on the Wii.

Also one non-official fan game that captured my imagination more than any other: Naruto-Arena.

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Image courtesy of the Naruto-Arena Fandom Wiki

Naruto-Arena was a browser-based strategy game with three-on-three battles using ninja from across Naruto’s expansive history.

Each ninja had four moves that required different amounts of colored “chakra” energy, some of which were physical, ranged or simply granted invulnerability.

A few colored energies were accrued every turn, which meant the game played out with turn-based thought games like early Final Fantasy. It was important to track cool downs and lingering effects.

It’s funny how much the system reminds me of the upcoming Pokémon Masters.

I played the game early on in its life. Conversations were had around my elementary school lunch table, and I specifically recall playing during one of my trips to Dad’s office at CBS/KCAL (sometime between 2006 and 2009).

Like Realm of the Mad God, the game meant a lot to me growing up. I even thought about revisiting it a year ago:

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Because I never did, I wanted to try and write something for July 4 this year. I looked up the website hoping to get some work in for a more fleshed out reflection.

And in its place I found this notice on reddit about the game having shut down.

That… Actually hit me pretty hard.

The game was a relic of my childhood. I’m not naive enough to think it could have lasted forever, but it’s sad that I wasn’t cognizant of its death for so long.

However, being a year late does put me in an interesting position.

The reddit dedicated to Naruto-Arena is alive and well because of fan projects looking to replicate that original fan project.

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Check it out here!

I signed up for this particular new Naruto-Arena to give it a fair shot. It’s in an early build where all characters are available to test, and some key elements like character unlock missions are being implemented.

But it aesthetically nails the old look:

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Right down to the statistical layout on the right side of the scroll.

It didn’t take me very long to come into a quick game. Though the transition into battle was rough, battling itself hit my nostalgia hard.

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This remake replicates the way lingering technique effects stack beside each character, and the way your overall ranking changes their portrait’s accessories.

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I also have to give this remake props for proving to me that over 10-year-old muscle memory is just as potent as ever:

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I just did a quick game, but this new Naruto-Arena has a fairly fleshed out leaderboard to make up for features that are being implemented.

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If I start to tackle ranked battles, who knows where I could get?

Though… I’m not sure how much time I’ll spend on this version of Naruto-Arena. It needs a little more time to gestate, and has received updates as recently as June 10.

I’d like to at least have the satisfaction of unlocking characters before diving in.

Yet I really can’t complain. It may have hit me hard to find out a childhood favorite closed without my knowing, but that loss clearly affected a host of other people too. Enough that some of them went on to try and revitalize it.

That’s the truly powerful thing about fandom: A strong sense of community forged in the small, unofficial details.

I’m glad I got to be a part of that for a time.

RIP Naruto-Arena. Sorry I couldn’t be there for your swan song.

Featured Image courtesy of Afnecors via Wikimedia Commons

My thoughts on Nintendo’s 2019 E3 Direct

My thoughts on Nintendo’s 2019 E3 Direct

I haven’t paid a lot of attention to 2019’s E3 outside of the surprise Keanu Reeves appearance, but today was Nintendo’s time to shine.

That’s all the introduction you need.

Here’s the 40-minute video. Let’s talk about it.

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Super Smash Bros. Ultimate

Kicking off the Direct was a flashy cinematic of Ultimate’s World of Light in which Link was rescued by The Hero, our next DLC fighter and Dragon Quest representative.

You’d think that would be the big news. Yet Nintendo had one more trick up their sleeve to conclude the Direct:

Banjo-Kazooie.

I’ve never played a DQ game or Banjo-Kazooie, but I know plenty of people who love those series and I’m happy to see them so happy.

Especially given the love and attention both fighters are getting. The Hero has multiple alternate costumes and a final smash featuring different protagonists from that series, Grant Kirkhope was involved in doing the music for Banjo…

It’s just perfect.

Masahiro Sakurai truly is the king of reviving Nintendo history, and looping in Rare was a great way to include a fighter with die-hard fans who fits in the roster far better than Minecraft Steve or Master Chief.

Great way to bookend the Direct.

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Image courtesy of My Nintendo News

Luigi’s Mansion 3

Subtitle: Hotel Mario 2?

Though I wasn’t a huge a fan of Luigi’s Mansion: Dark Moon compared to the original, this game looks pretty incredible. It has a creepy atmosphere directly reminiscent of Ghostbusters mixed with a Super Mario Sunshine vacation plot.

And it has built-in Gooigi multiplayer, unlike the shoed-in stuff for the Luigi’s Mansion 3DS remake.

I’m pretty into this game honestly. Especially after seeing this kaiju boss reveal Nintendo put out after the Direct:

It’s just too bad Nintendo has a billion other great games coming out, or Luigi swinging a chair around with a vacuum would be at the top of my list.

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Image courtesy of engaget

Link’s Awakening

Here’s one of those games that unfortunately pushes Luigi’s Mansion aside.

I was incredibly excited for this remake of a Zelda game I’ve always heard praised but never took the time to play when they announced it a few months back.

The new trailer didn’t show too much more than its Sept. 20 release date…

EXCEPT FOR A TOP-DOWN 2D DUNGEON CREATOR.

THE THING I LITERALLY ASKED FOR WHEN I GRADUATED:

Thanks Nintendo, you always make my dreams come true. Just be sure to add Minish Cap into the official Zelda Maker.

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Image courtesy of Nintendo UK

Fire Emblem: Three Houses

I wrote a Fire Emblem Heroes post just this morning, so of course I was going to talk about this game.

All we got today was a cinematic trailer that mostly stood out because some character had a sword that turned into a bone whip. Which is fine because we got a big gameplay trailer already.

It mainly featured lore that won’t make a ton of sense until the game releases in…

Wait, late July?

Damn, I thought I had more time. Stop making so many games I want to buy Nintendo, I’m still addicted to Stardew Valley for the next few months!

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Pokémon Sword and Shield

I wasn’t expecting any new Pokémon news after the recent Direct, but Nintendo truly is a benevolent overlord.

During the presentation we found out that the Pokéball peripheral from Let’s Go can act as a modern day Pokéwalker and that the Water-type Gym Leader will be Nessa:

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Image courtesy of Serebii.net

She’s a little derivative of Shelly from Omega Ruby and Alpha Sapphire, but not a bad design at all.

During the Nintendo Treehouse we discovered the existence of a perfect Electric-type pup named Yamper and a little Dark/Fairy gremlin named Impidimp:

Images courtesy of Serebii.net

One of them is God’s perfect child and the other is his greatest mistake.

However, we also found out that not every Pokémon in the National Dex will be compatible with Sword and Shield, which is a step in the wrong direction after Sun and Moon already didn’t have a Pokédex entry for every monster you could collect.

Go check out Serebii’s page, because they have the full list of everything from today.

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Image courtesy of Sonic the Hedgehog on YouTube

Mario & Sonic at the Tokyo 2020 Olympic Games

Then there’s this.

Look I played the first couple Olympic crossover games with my sister and they were decent minigame collections.

But the fact that this series is still going astounds me.

Some of you would probably prefer I put Cadence of Hyrule in this major slot since it looks cool and is only $25 bucks, which definitely entices me to buy the game when it drops this Thursday in spite of never playing Crypt of the Necrodancer.

But… I just did.

So there.

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Image courtesy of Mashable

Animal Crossing: New Horizons

Like Reggie Fils-Amie, I put a lot of time into Animal Crossing: New Leaf.

New Horizons not only looks like a wonderful graphical update to the series, but an update that allows for 8-player simultaneous action while potentially building a town from scratch.

That’s… Pretty god damn incredible. Definitely worth pushing the release date to March 2020!

Already Nintendo has me feeling all:

But we’re not done just yet.

The Highlight Reel

The reel always has a billion things, so let’s lightning round what stood out to me.

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Breath of the Wild 2…?

Time to address the elephant in the room.

I made a big deal out of returning to Breath of the Wild. Yet… I didn’t actually finish the whole game.

Turns out I should get moving on that again.

Breath of the Wild is getting a direct sequel, bringing it in-line with Majora’s Mask and the Wind Waker series. A sequel where Link and Zelda are going to be traveling the ravaged Hyrule together and discover some demented shit.

The trailer was just an “in development” teaser, but they sure did succeed in making it emotionally provocative. I’m curious to find out more… Though a lot of that is based on hype from my friends’ speculations.

Which means I guess I have to go finish Breath of the Wild.

Damn you, Nintendo. Quit monopolizing my time when you’re about to monopolize my time with all these new games!

Those were the big ticket items out of this E3 Direct for me, but there were a lot of smaller things that piqued my interest too.

A Final Fantasy Tactics-type game for The Dark Crystal, No More Heroes 3 with weird Star Wars jokes and Gundam fights and Marvel Ultimate Alliance 3 among them. Plus the Switch is getting the return of Contra, The Witcher 3, Secret of Mana, Resident Evil 5 and 6 and a Panzer Dragoon remake.

Nintendo really knocked it out of the park this year, especially considering the rest of E3 wasn’t phenomenal from what I’ve heard.

Though was there any doubt when they began their Direct by capitalizing on the “Bowser is Nintendo of America’s new president” joke?

All they’re missing is this:

Let me know what you thought of Nintendo’s E3 Direct! What game are you most excited for?

Featured Image courtesy of Nintendo Life

Art vs. The Artist

Art vs. The Artist

A few weeks ago, I quoted the YouTuber ProJared in my Gaming in American Culture essay.

The crux of my research has been the effects of Japanese Role-Playing Games on the West. In his Final Fantasy Mystic Quest video, ProJared argues that Japanese developers questioned the competence of the outside world, which led to fewer localizations.

It was a valuable insight for my piece, and I was proud to include his video alongside The Geek Critique in my research material.

YouTube has been a huge part of my life, and I try to promote creators. They don’t have near the notoriety of television and movie stars, yet there is great content worth sharing.

After The Completionist, ProJared has been my favorite part of the “NormalBoots crew” for some time. I enjoyed his style, as well as his opinions on video and tabletop games.

I even recently talked about him pulling me back to the Pokémon Trading Card Game.

It’s a parasocial interaction at heart. I wouldn’t say I idolized him or any other YouTuber in an unhealthy way, but the respect and support I show toward those pseudo-celebrities help inspire me to create, and keep the often dreary day-to-day bearable.

This is all to say that I started from an inherently biased position in this conversation.

If you’ve been on Twitter, you already know about how ProJared’s life imploded in a matter of hours. It’s been the #1 trending topic for almost a full day.

If you’re reading this in the future, you can catch up with this Kotaku article.

In spite of how public the issue has become thanks to the people involved, it’s a very private affair that I honestly have no right involving myself with.

The only place I can speak from is that of a former fan whose respect for an online figure has evaporated in an unexpected instant.

A philosophical concern has been weighing heavy on me since late last night:

How much joy are you able to retain from a figure you used to respect — and followed for years — in the time before their skeletons were out of the closet?

This issues with parasocial interactions aren’t new. Bill Cosby and Michael Jackson are two relatively recent examples of celebrities whose actions have begged the question, “how much we should separate the artist from their art?”

But YouTubers are more prominent for me, and tend to be “famous” in smaller communities that they interact with more to create relationships.

I’ve grappled with the recent downfalls of a few people I followed actively.

Just a month before ProJared, TheKingNappy (a Pokémon YouTuber of some acclaim) also received accusations that dampened my enthusiastic support and led to his disappearance from the Internet.

In each of those cases, I’m plenty willing to move on and continue supporting other wonderful creators. But that doesn’t mean their removal is painless.

My immediate reaction to each scandal was almost exactly the same:

  • “What will happen to Nappy’s current Soul Link with ShadyPenguinn?”

Followed by…

  • “There goes the rest of Jared’s Super Metroid/Link to the Past randomizer.”

The thoughts of a spurred fan seem uncalled for, even selfish considering the people who have been genuinely hurt in real life.

And I by no means hope to disparage the victims in these stories because “they took my favorite YouTubers away.”

Yet I believe the reason these thoughts spring to mind are important.

I have given years to some of these personalities, and their current endeavors thrive because of the respect and trust they’ve engendered in this parasocial interaction.

ProJared’s videos have meant enough to me that I thought to quote him in an academic capacity. Plus, he’s also one of the main reasons I started playing Monster Hunter.

TheKingNappy, in a similar vein, introduced me to a community that has foster further love for my favorite series of video games. He’s why I’ve played Pokémon Conquest and the GameBoy TCG title.

All of the times I’ve enjoyed their work and respected their opinions are still there. But now, they seem tainted — it’s hard to come to terms with that.

How much can I still appreciate the time invested in retrospect?

How much can one separate the art from the artist in light of new, changed opinions?

I don’t have an answer to this question. But I think it’s worth posing, because my mindset has honestly contributed to the stressful situation of my last semester at college.

If anyone out there has any insight into this dilemma, I’d love to field some ideas.

Alm finally gets an alt

Alm finally gets an alt

Fire Emblem Heroes characters are showing up in another mobile game: Dragalia Lost.

It seems to be a relatively big deal. Big enough that news organizations like Kotaku are covering the crossover event.

For my money, the Awakening-inspired cover art is pretty amazing.

But I can’t say much more about Dragalia Lost. I’ve never played the game, and know nothing about it other than my friend Sam gave a high recommendation.

All I can say is that I’m looking forward to getting upset when Dragalia Lost characters get a summoning focus in FEH before we see another Sacred Stones-themed banner.

Not that I have the orbs anymore

Until then, we can celebrate the first alternate for our friendly neighborhood Alm!

Alm — Saint-King

  • Luna Arc (Might = 14, Range = 2)
    • Effective against flying foes. Grants Speed +3. If unit initiates combat, deals damage = 25 percent of foe’s Defense (ignores reduction from special skills).
  • Lunar Flash (Cooldown = 2)
    • Treats foe’s Defense and Resistance as if reduced by 20 percent during combat. Boosts damage by 20 percent of unit’s Speed.
  • Darting Blow 4 (A Skill)
    • If unit initiates combat, grants Speed +9 during combat.
  • Null Follow-Up (B Skill)
    • Disables foe’s skills that guarantee foe’s follow-up attack and foe’s skills that prevent unit’s follow-up attack.
  • Odd Attack Wave (C Skill)
    • At start of odd-numbered turns, grants Attack +6 to unit and adjacent allies for one turn (bonus granted even if no allies are adjacent).

There’s only one way to describe Legendary Alm:

Powerful.

He gets +12 speed when initiating combat, and the opponent cannot prevent a follow-up.

Then all that extra speed is added into his two-turn (!!!) Special Attack, which reduces the foe’s Defense without affecting his weapon’s Defense-based damage boost.

It’s crazy how copacetic that build is — especially when you can add a Sacred Seal to boost his Speed further. Odd Attack Wave is probably the weak link because it’s situational, but +6 Attack is nothing to sneeze at.

And let’s not forget, he gets the brand new pair up mechanic. Meaning an ally can back the boy up.

If that doesn’t convince you that Alm is a powerful motherfucker, just look at his art.

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Image courtesy of Gamepress

This boy exudes power. The fact that his bow looks like it contains Mila’s Turnwheel is beautiful. He is beautiful

Really, I can’t say enough good things. Especially considering his posse is also solid:

I have none of the colorless units on this banner and want Alm and Eirika badly.

I also don’t own Legendary Roy, Nailah, Christmas Fae or Sue. I don’t care about them quite as much, but wouldn’t be opposed to summoning any.

There’s not much more to say beyond that. He’s got a map:

But I’m terrible at judging whether these things are difficult or not, so I won’t even try.

All I know is that Legendary Battle Maps mean more orbs. And boy am I going to need a lot of orbs by the end of this week.

… Did I say by the end of this week?

I may have underestimated. Because some part of me snapped once this banner came around, and I spent an embarrassing number of orbs trying to summon Alm and/or Eirika.

All I’ll say is that it was between 199 and 201 or so.

No big deal. My impulse control is fine! As is my missing orb horde.

What is a big deal is that being a big spender has only gotten me this return:

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Two new characters isn’t bad or anything, but it just figures the only colorless unit I get is the one I didn’t want (as much).

With all of these golden week rewards coming through, I’ll probably be pumping way more resources into Alm’s banner than I care to admit. So hopefully things work out soon, otherwise I’ll have another Legendary Ryoma situation on my hands.

In the meantime, let me know how many orbs you’ve spend on this banner! I’d like to feel justified by sharing in my pain.

Maybe then my hands will stop shaking from the dirty deeds I have done.

The dungeons prequel

The dungeons prequel

We are officially one week away from Dungeons and Dragons day in my Gaming in American Culture class.

Toward the beginning of the semester I listed D&D day as one of the enticing course elements, so being on the cusp makes me salivate with anticipation.

Considering I barely have any experience outside of one character building session in high school, I’ve gotten a little practice. We played D&D at the party I brought my Redondo Beach friends to in Fullerton over Spring Break.

I kicked ass as my pre-built elf sorcerer Elfson.

But in-class today we prepared for our upcoming escapades in a different way: Talking about the moral panics caused by D&D.

Because you know. If something is fun and leaning in a pagan direction, parents are going to freak out about it.

Looking at you, Pokémon. And also Pokémon.

… Okay, it’s not entirely fair to simplify that into a joke. We actually discussed interesting aspects behind the 1980’s D&D panic, including the perceived loss of self-identity to multiple, fractured fantasy identities steeped in olde mythological traditions of witchcraft and monsters.

It just so happens that you can only showcase the moral panic by laying out all of the over-the-top examples of role-playing game hysteria.

Most notably: Dark Dungeons.

This amazing comic created by Jack T. Chick in 1984 seems to be the perfect embodiment of Big Brother wiping out imagination and personal expression in exchange for the conformity of true-blue American Catholicism.

Or that’s how my boy Mitchell perceived it, at least.

There are arguably kernels of truth in Chick’s fear of fantasy overwhelming reality. It’s hard to take the guy seriously when you write such lines as:

“Lord Jesus … you guide me through life. I want You to be in charge of everything…not that lousy D&D manual.”

Following the deus ex machina of random friend appearing to save the damsel in distress — having apparently prayed and fasted for her off-screen.

Or at least… I find it hard to take this comic seriously.

Apparently others do not, as a short film adaptation came out in 2014.

Something I only know about because my friend Jonathan reminded me that JonTron put out a video about the movie in 2016.

Isn’t the internet just a god damn beautiful mess?

But wait, that’s not all!

On top of Dark Dungeons, we spent part of our class period watching and discussing Mazes and Monsters.

The 1982 Tom Hanks flick where then-unknown sentient toy cowboy / crazy stranded FedEx employee / historic figure with a pension for chocolate almost kills himself after getting so invested in a parody of D&D that he can no longer distinguish fantasy from real life.

It’s amazing that Hanks went on to have one of the most successful actor careers of all time with a start as wild as Mazes and Monsters.

With all of that said, it only makes sense that we get to risk our lives playing the tabletop role-playing game for our entire next class period.

By God am I looking forward to it.

P.S. — There was another cool part of my day that I wanted to talk about, but could not think of an organic way to include it. Outside of there being vaguely related fantasy elements.

So I’ll just pin it down here.

During the break between my classes, Dr. Sandra Perez (the Director of the University Honors Program) brought over an underclassman while I was working in the Honors Center because she wants to write a fiction novel for her senior project.

Apparently I was the expert in that department, as Dr. Perez said she was very impressed with all of the pre-planning she’d seen me do for my novel.

It was nice to be considered an expert in something like that!

Or at least the most readily available spring of knowledge.

Featured Image courtesy of Philip Mitchell via Wikimedia Commons

A video series to die for

A video series to die for

I can’t remember the last time I was so productive.

After a long night’s sleep, I got up early today and went to the gym. Then I came home, showered and made myself breakfast:

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Eggs AND bacon? Wild.

I don’t even know who I am anymore.

After all that, I also went ahead and kicked off my work for the day. Mostly sending out emails to various sources.

It’s the least I could do after wasting most of yesterday thinking too hard about Wacky Races. I love the post, but boy did I spend way too much time writing it.

Naturally that means it’s time to waste more time blog writing. Gotta finish what I started.

I’m always on the lookout for new videos and podcasts to play in the background of my life.

Those usually involve video game content (though I might have to reshuffle some mainstays after reading this stellar Kotaku article), but I also really enjoy movie-focused videos.

“Kill Count,” a new series I recently discovered by the channel Dead Meat — hosted by James A. Janisse — fits the latter.

Yet it fills a different niche than I usually focus on: Horror movies.

Specifically appreciating the often creative, over-the-top kills in horror movies. Or, as the pendulum tends to swing, also lampooning the uncreative and lazy sides of horror.

When the channel first appeared in my recommendations, I was a bit misled. I expected the videos to just be montages. A Buzzfeed-esque “top ten kills” kind of premise. Specifically my first experience was for John Carpenter’s 1982 classic The Thing, a video of his I watched because I’ve been interested in the film’s practical effects recently.

But that video, and the “Kill Count” series as a whole, is much smarter.

It’s essentially a series of spoiler-laden reviews, talking about movie plots, development cycles and places in history as much as they focus on the kills.

Every video also includes a break-down of the victims in each film (showing the interesting bent toward male deaths in cinema), a specified “best” and “worst” kill distinction as well as a live bit playing on events from the movie.

However, I think one of my favorite things about “Kill Count” is how funny the series is. The videos are nearly satirical movie reviews that provide great commentary and mile-a-minute jokes.

Janisse breaks the fourth wall a lot to remind the audience that they’re watching a review for yucks more than a serious catalog of deaths.

My favorite instance was in his 2010 Predators Kill Count:

“I just do these videos to make jokes, y’all. I’m not an official dead body census taker.”

I’m in the midst of binging through his reviews of classics like the Alien movies, and they’ve been wonderful background noise while working on Gladeo pieces.

Pieces which should be published by the end of the month, as far as I’m aware. Just so you all can keep it on your calendars.

Janisse also has a podcast that I may have to be on the lookout for now that I’ve blown through The Dropout.

So that’s my recommendation for the day.

If you like horror movies, comedic takes and creative deaths, “Kill Count” is worth a watch. Just as long as you don’t mind spoilers.

Featured Image courtesy of Gaurav Shakya via Wikimedia Commons

Gamers just want to have fun

Gamers just want to have fun

With this showing up in the mail earlier today, I suppose it’s as good a time to talk about it as any.

I’ve spared no shortage of copy writing about my Gaming in American Culture class. From not knowing what to write for my semester-long project to what I wrote about for my semester-long project, from my re-absorption of Ender’s Game for our discussion on militarization of video games to my new absorption of a Barbie game from the early 1900s.

Given my general adoration for all things video games, it makes sense that I’ve been enamored with so many things which have been assigned in this class.

It was a good decision to follow my friend Mimi into a random American Studies class as my ‘fun’ activity for my last semester of undergraduate college education.

One of the most interesting aspects of the class has been the gradual shift of my understanding of U.S. history based on different elements of popular culture that, for the most part, I already knew about.

For instance, that aforementioned analytical reading of Ender’s Game. Or our in-class discussion today about the 1983 Matthew Broderick classic WarGames.

Part of our discussion hinged on the shift from a World War II mentality of game theory in that the best way to win is to make sure your opponents can never fight again to a Cold War mentality of anxious peace through the zero sum game of the nuclear arms race (“The only way to win is not to play”).

But then we also tied the movie into discussions of early hacker culture with the development of Spacewar! in 1962, really the first game that taught people computers could be used for something other than work.

As well as the game that got banned at Stanford for being too addicting and inhibiting work (which you can now play in all its antiquated glory here!).

However, another branch of our discussion was the change in concepts of masculinity that came from gaming culture and nerd-driven movies in the 80s.

A shift from the grizzled frontier-pushing heroes of John Wayne to the intellectual digital frontier exploring cowboys of Matthew Broderick’s David teaching a computer to play tic-tac-toe.

That’s where Carly Kocurek’s book, Coin-Operated Americans, is going to pick up the slack for next week.

According to the blurb on the back, it “explores the development and implications of the ‘video gamer’ as a cultural identity,” most notably in relation to the perception of games as a “boy’s world.” But also looking at the moral panic stemming from 1976’s Death Race and other culture examining video games like Tron and WarGames.

Hence us watching the latter movie before reading the book.

That’s essentially my big task for the next week, getting through this little tome while dealing with Comm Law homework and such.

Luckily, now that my big networking event and midterms are out-of-the-way, I have a little extra time to settle down and read.

So if I wind up coming back in the near future with an obscure book review, now you know why.

Unraveling more YouTube recommendations

Unraveling more YouTube recommendations

You can spin this blog post today one of two ways.

Perhaps this is a public service for all of those affected by the over 10-hour Facebook outages that affected the social media platform and its company’s holdings (including Instagram and WhatsApp) for some reason other than a denial-of-service attack — an issue which they, in my opinion, hilariously had to go to another platform to report:

Those folks addicted to these apps like I sometimes become with Twitter are likely looking for something interesting to do to bide their time.

Interesting, time-wasting YouTube channels happen to be my area of expertise.

… Or, perhaps this post is a futile effort to write something on my blog daily, after a day of two-hour Comm Law exams and finishing my listen to Ender’s Game while at the gym where I could not come up with anything better than yesterday despite saying I would. But in place of that interesting subject matter, I’ve simply decided to guise my lazy alternative in the guise of the solution to a social media-driven turmoil that has long ended by the time I began writing; all due to the aforementioned requirements.

But I think we all know which is the true answer to the question.

That said, I’ve delayed the inevitable long enough.

While my parents travelled around California going to different doctor’s appointments on Monday, I was in charge of my sister back home. We more-or-less spent the afternoon sitting beside one another on the couch doing homework and watching YouTube videos.

Among the usual line-up of Game Grumps and Super Beard Bros. videos taking up time, we were recommended a strange looking think piece on the “Sonic the Hedgehog Bible.”

That’s the kind of offer we couldn’t refuse.

So we didn’t.

And thus we discovered the magic that is Unraveled: A show by the gaming news website Polygon, helmed by their video producer Brian David Gilbert.

As someone who appreciates few things more than highly-analytical, well-produced and funny content deeply examining video games, this YouTube series earns my highest recommendation.

The show, in essence, takes huge amounts of data and information from the video games themselves or from real-world (often governmental) organizations that can be used for video game applications and just distills them down into quippy 15-minute binges that use massive amounts of paper for on-the-wall diagrams with rarely an apology.

It’s a beautiful sight to behold.

While we started with their Sonic Bible episode, I was also a big fan of his dive into madness on the Legend of Zelda timeline, breakdown of hundreds of Mega Man Robot Masters and look at how Bowser’s army would be organized in relation to the U.S. Army.

An oddly prescient piece considering Nintendo of America President Reggie Fils-Aimé announced his retirement just a few days after it dropped, leaving it in the hands of a man literally named Bowser.

I won’t say I’m much for conspiracy theories… But the truth is out there.

Anyway, yeah. That’s my recommendation for the night.

If a YouTube show can get my sister of all people excited to watch deep-diving video game content, you know it has to be good.

So give Unraveled a look, if you would.

Featured Image courtesy of Gaurav Shakya via Wikimedia Commons

Quick Time Events suck

Quick Time Events suck

I know it’s a cliché to argue exactly what I’m saying in the title here, but don’t worry. I’m not actually planning on going on a long tirade against QTEs in video games.

This is just another case of ‘I spent all day hanging out with my friends and didn’t take the chance to write anything so I need some space filler.’

Welcome to space filler.

The reason I bring up quick time events in the first place is because most of our time today was spent playing a little known title called Detroit: Become Human. That’s right, the narrative-driven title brought to the world by Quantic Dream and the ever-controversial developer David Cage.

It’s a game that’s interesting… But pretty heavily flawed. In some key places.

We’ve been playing the game over the last few hangouts we’ve had while Jonathan was off in Canada on an extended road trip vacation, and it’s given me the chance to absorb some of what I feel are the big problems with my experience of the game — outside of issues with the studio and some of the ways women are treated that have been played to death in media.

No, my main problems with the experience of playing Detroit: Become Human involve certain gameplay elements. Beyond just the way it awakened a previously unknown pet peeve of being back-seat gamed when messing up a quick time event because I’m not used to Playstation controls and stuff is too sensitive and gettING YELLED AT ABOUT SCREWING THE GAME OVER UP DESPITE THE FACT THAT LATER IT’S REVEALED EVERYTHING WORKED OUT OKAY BECAUSE I’M A GOOD ROBOT JESUS JUAN AND TIANA CHILL OUT.

*Ahem*

Sorry about that. Just lost the last few seconds of my life, but I think I’m okay now.

But yes, besides issues with quick time events, it also annoyed me how much the game relies on using invisible walls and choices that inevitably seem to make no difference in the narrative necessarily.

For example, in one scene a character can lose their memory if the player doesn’t respond to a series of events fast enough. In the branching paths of the story’s narrative there is apparently a pathway that can be ventured down where the character legitimately loses their memories forever and becomes a mindless android servant.

But that isn’t a result of actually losing their memory the first time.

No, if the character loses their memory, that isn’t the end of the scene. Screwing up didn’t just kill the run, it instead let the character walk out and find ways to regain their memories.

I suppose the argument could be made that having these kinds of levels of choices to be made is an example of having a successfully branching narrative.

But there’s a narrative dissonance when the character you’ve been playing loses all sense of themselves… But that doesn’t inherently affect the player’s abilities to control their actions. All it really does is add a few extra steps for the player to advance into the next scene rather than going straight there because nothing about the experience of playing changes.

I don’t know, maybe I’m just not a fan of the style of games presented by Quantic Dream, but elements like that bugged me. It felt somewhat manipulative, attempting to throw the player in a certain story direction under the guise of giving them multiple different choices.

I won’t go on too much about the issue, since it isn’t necessarily something I’ve spent a lot of time thinking about. It just seems like an interesting topic to broach and potentially get the internet’s opinion on by throwing it out into the aether here.

Besides we had a lot of fun playing it together even when I was getting yelled at for nothING. It probably isn’t the kind of game I would play on my own, but with friends it’s an interesting concept to experience.

Unlike a different game we spent some time playing, Enter the Gungeon. That’s the kind of rogue-like I’m legitimately considered getting for the Switch.

Though I’m conflicted between getting that game or Hollow Knight, which I’ve talked about before.

Either way I think I’ll probably be getting a new game on my Switch at some point this week since I just got a little extra financial security through my SPJ scholarship, I’m just not sure which one.

I suppose if anyone has some suggestions for that, I’d be open to hearing those too!

Perhaps I’ll even throw out a poll on Twitter, see if that gains any traction. I’ve never done that sort of thing before so it might be fun.

We’ll see.

No matter what I’m going to stop rambling and let you all go, because this is getting a little ridiculous for a dumb space filling post. Hope everyone out there had a good weekend!

P.S. — Featured Image courtesy of Metacritic