Tag: Isenvid and the Four Orbs

My children come to life

My children come to life

Next week I will be presenting my Senior Project at the Honors Project Interdisciplinary Conference.

Literally, next week. Friday, May 3 at 11:10 a.m. in room 1307 of the Mihaylo College of Business and Economics.  Just in case any of you are interested in going!

It’s a whole panel on creative writing that includes my novel, a children’s book about a character with Down Syndrome and a collection of essays about learning English.

I’ll talk about that more, but it’s worth a plug now.

Mostly because it gives me an excuse to talk about one of my most exciting pieces of presentation preparation:

The character sketches.

For the last couple months I’ve been working with the wonderful Elizabeth Person to draw my four main characters. Having tangible ways to see them was a perfect way to spice up the PowerPoint.

It just so happened that my Mom knew Elizabeth from her work with Edward Branley (whom she does book edits for), and her art style meshed well with the fantasy aesthetic.

As you can see in my Featured Image, the drawings came out really well!

But of course… You didn’t think I would show off my babies and not talk about them, did you?

Nah. We talking all about these good folks!

I need to practice for my presentation, after all.


Warrior

Eliott Aviknard

Eli is a human knight who leads the adventuring party into raids, looking for treasure and glory so they can leave their small trading town in the Western Badlands and see the Bresegon Empire’s capital.

He proudly uses his father’s white armor and blade, both staples of the paladins who serve as royal guards. For the most part he is stoic and cool-headed in combat.

However, that cool facade often gives way to a defeatist, lamenting rant into a mug of ale as he blames himself for the party’s frequent inability to secure the treasure they need. Which, as a result imposes upon Romeri for funding, keeps Julianna from going abroad and impedes Sovann’s desire to prove himself as a thief.

He is also deathly afraid of horses, which comes up often as he tries to overcome that roadblock preventing him from truly becoming the paladin he claims to be (to the jest of his friends).


Mage3

Julianna Rhuiviel

Julianna is a quiet, well-studied elven mage, an up-and-coming expert in both tome- and scroll-based magics. She carries around enough encyclopedias to be a jack-of-all-trades in lore around the continent.

In the world of Isenvid and the Four Orbs (my novel’s current title), the elvish people have a tragic backstory. Their village in the Gnarled Forest was invaded by Bresegon soldiers and razed, with most of the children being taken away to reeducation schools.

Julianna was one such child, and to this day retains both a desire to find acceptance (only used to racist rejection), a drive to learn her people’s history and a fear of fire.

An element that tends to being important for a mage.

Her personal feelings of being unaccepted leave the girl self-conscious about her 7′ height, glowing porcelain skin and somewhat gangly figure. She covers herself up (under the guise of avoiding sunburns) and prefers to go by “Julie.”

Though Sovann and Romeri will frequently get on her nerves with the affectionate “Ju-Ju.”


Archer

Romeri Russev

Romeri is a human archer and the oldest member of the party. She is business-savvy and worldly, having traveled before settling down to run a tavern, and she’s matriarchal; offering all of her friends an ear.

She tends to be the most fashion-forward when not in battle-ready armor — but even then tends to go for style over substance. Her desire to look good is matched only by her desire for wealth and fiscal security.

In combat Romeri is indispensable, though she has a tendency to arrive late to the party. Her long-ranged attacks almost never miss, as she has a long history of training with some of the best soldiers on the continent.

In fact, her ex was a royal soldier who now runs her own traveling mercenary troupe. A connection that may or may not become relevant in the story. Wink wink, plug plug.

She terrifies the elf who tends bar while she is away, and her hair is dyed by flowers.


Cleric

Sovann Krei

Sovann is a human thief with a skin condition called vitiligo.

From an early age he was trained to be a cleric in the Furbism tradition, a religion that was nearly wiped out as its capital was sacked to leave the Bresegon Empire in control.

He’s an effective healer, but got bored of that mundane life and decided to become a thief. There he could find action and fight with his preferred weapon: Daggers. That transformation is symbolized by his old priest’s vestment, which has been modified to serve as a cloak.

However… He’s a klutz, and more often than not people will defeat enemies before he has the chance, which leaves Sovann relegated to healing duty.

He bemoans the job but eagerly helps his friends, and carries his old staff tied to his back with the unused sleeves of his cloak.

Sovann is also known to be a tease (especially fond of poking fun at the budding romance between Eli and Julianna that only they do not realize is happening), and will hit on just about anything that moves.


They’re wonderful, aren’t they?

I’m planning on finishing my novel over the summer once I have the stress of finals and graduation out of the way, which means hopefully you’ll all be able to read their story sometime soon!

In the meantime, I definitely recommend checking out Elizabeth’s work. It was hard to give away my babies and let someone else try to visualize how I’ve imagined them, but she did a wonderful job and was really communicative throughout the process.

Even traded rough sketches here and there for my feedback:

It’s been awesome, something I’m absolutely considering doing again.

I can’t wait to show these guys off alongside the preplanning of my plot and map next week!

My little yellow book

This Zombie Jesus Day, I spent most of my time down in the cave.

… Is that an insensitive comparison to make?

I suppose it might be. But I think it’s funny, and really all I mean to say is that I spent the day cleaning my room and the downstairs bathroom. Not only has dust built up since the last time, but we have family coming out to California for my graduation in May.

Puts the brunt of making things look nice on my shoulders, since I’m the reason why people will inevitably be here stressing my Mom out.

All that toilet scrubbing and floor sweeping and Amiibo dusting has me worn out, so I don’t want to linger on writing too long. But I want to get something out considering I skipped yesterday in favor of playing Pokémon with Aly and watching The Lego Movie 2.

Not that I regret either of those choices.

Between my bouts of cleaning, I spent some time starting to pull together a PowerPoint for my Senior Honors Project presentation.

Doing so has been a trip down memory lane, as I’m essentially summing up everything I’ve done for the last year.

Except it goes much further than that.

Part of my project involves the context of my experiences with creative writing prior to this novel. I have many single-chapter story drafts lingering around different folders on my computer that came about from dreams or fantasies and unfortunately never went anywhere because all I had were those singular ideas.

But then I have the one project that made it further than any other prior. All because, I’d argue, I pre-planned everything in this sweet yellow notebook:

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The summer before I started at Cal State Fullerton, this book and I were inseparable.

I distinctly remember sitting out by the pool at my Dad’s friend Sylvan’s house writing things out. Everything from character descriptions—

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To bits of lore about the world and magic system—

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To a lengthy run-down of the plot—

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Beat-by-beat.

Because of the amount of effort I put into this thing, it’s one of my favorite stories conceptually. Even though I moved away from it because of school, it’s a piece I feel like I can return to one day.

Especially since I took such meticulous notes on where I wanted the story to go and when.

That’s the main takeaway for my current Senior Honors Project. Pre-planning is very important to coming up with a solid idea one can move forward with.

Though if I did go back to this yellow book story, I’d have to rework a number of the really cliché bits. Like more tastefully handling my “amnesiac protagonist,” if I keep that at all.

I’d also have to completely rework the ending. At the time I came up with a vague encounter against a large mechanical wolf because something, something, bad guys invented technology using magic.

Basically the arc of Avatar: The Last Airbender, in hindsight.

So yeah. Work would be needed.

But I still have a soft spot for Anya, Maribel and their band of misfits and fantasy tropes.

In fact, the yellow notebook has been in the front pocket of my backpack for all these years. Just in case I ever do go back to it.

Who knows, maybe after I finish with Isenvid and the Four Orbs, I will go back and put it together.

Fantasy-adventure novels seem to be my thing, apparently.

Might even be fun to take the genre in a less deconstructive direction.