Tag: Deus Ex Machina

The dungeons saga: Bedknobs and sheep schticks

The dungeons saga: Bedknobs and sheep schticks

After a week of unbridled anticipation, today was finally Dungeons and Dragons day.

Since the beginning of the semester, we were promised a three-hour class period of just playing the fantasy tabletop role-playing game in my Gaming in American Culture class.

Finally the day has arrived, and it was glorious.

Though it did begin with a bit of a time crunch.

I gathered with my friend Mimi in the Honors Center before class, as she is far more of an expert than I. Was looking to get her opinion on which pre-made character I should play for our campaign.

Instead we wound up making a brand new character in the hour. An experience I’m fairly new at, which combined wonderfully with computer troubles.

But we persevered, and on the other end came up with my amazing boy: Thokk.

Thokk is a half-orc war cleric. He wears scale armor, carries a warhammer and a light crossbow, is generally uncharismatic and speaks four languages: Common, Orc and… Two I totally decided on.

He is chaotic good with an acolyte background and serves as a member of the Eye of Justice, a religious sect following a deity named Torm who were considered heretics.

So he’s adventuring to stop evil as his divine righteousness demands, but he ain’t above causing some havoc to get the job done.

Also he’s a very good boy and I love him. Might even drop him into my novel.

However, today he was played by the denizen of death and mayhem:

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Fear the cloth.

Yeah, I used Mimikyu as my character’s stand-in miniature.

He stood alongside the other six members of my party quite well:

There was Teflonto, a wood elf ranger; Celia, a wood elf monk; Jeff, a half-orc fighter; Phil, a gnome bard; Rein, a half-elf cleric; and Silver, a human paladin.

Our Dungeon Master was the Professor, wielding an unending spring of knowledge, a set of golden dice and a lot of monsters.

Thus the adventure began.

We started in a tavern, where Jeff nearly got beheaded trying to steal from the bartender and Phil spat Mario-style fireballs from a potent whiskey.

The quest kicked off when a sheep arrived. But he was not a sheep, he was a wizard transformed by a dastardly ex-assistant with a grudge.

Mr. Evil Wizard’s mercenaries arrived in search of the former mentor-turned-livestock, and our first battle began.

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An eight-foot bear in a robe mauled Jeff as the animal-loving Teflonto was horrified by Thokk nailing a wolf to a barrel using a crossbow bolt.

That is, until he learned the animals were humanoids turned beast.

After a handy beating, the mercenary leader gave in and conferred his great sword to Silver. He escaped with a lie that the remaining wolf was his unfortunate wife.

A night’s rest later, the party made their way to the hollowed-tree tower where Mr. Evil Wizard hid.

Celia was able to use a mass sneaking fog to get the party past a gang of dice game-playing wolves, then get inside by climbing the bark and hanging a rope out.

Suspicious at the sudden fog filling his tower, Mr. Evil Wizard used his transmogrifying wand to turn his bed into a bed dragon that absolutely exists.

While hiding in the fog, Phil cast blindness on the wizard before running out, climbing the dragon, stealing the wand, climbing down and THEN escaping out the rope-strung window.

You should have seen the DM’s face when he kept failing rolls to prevent all of that.

After getting back to the ground, Silver attempted to use the wand to turn our sheep companion back into a man. Yet, even Thokk’s guidance spell could not help his luck as the poor NPC turned into a Cronenberg monster before exploding.

That drew the attention of Mr. Evil Wizard, who approached riding his bed dragon with an army of wolves and a bear.

The final battle for our lives began:

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We were fucked.

But… We were fucked with 10 minutes left. Because three hours goes by fast when you have to account for seven players.

Rein and Thokk conjured magic, ethereal weapons to strike Mr. Evil Wizard as the rest of the party threw darts and shot crossbows.

Teflonto was mauled by a pack of wolves. Silver attempted to persuade the wolves to play a dice game with him, but to no avail. The wolves kept at it and Silver just watched.

Luckily, the almighty power of Deus Ex Machina was applied by the DM — who wanted the bell to end our one-shot campaign.

The wolves and bear turned against their master with the promise of being turned back to humanoid form. As Celia, Phil (now changed into a sheep) and Rein suffered splinters from the dragon’s breath, Teflonto stood up and shot an arrow into Mr. Evil Wizard’s face.

Once he and his dragon fell, we gained access to a convenient number of transmogrifying spells. Everyone was turned back to normal.

The end.

It may have been “cheap” that we were helped out of a bottomless hole by the DM because of time constraints, but it was justified by the journey.

All of our luck from the initial tavern fight and stealth mission came crashing down in the most spectacular of ways, and we undoubtedly would have all died without the handicap.

So in my personal headcanon, I like to imagine our party fell in the search for treasure and conquering evil.

However… In reality, none of our party fell.

Which means that Thokk lives to one day return, perhaps enlightened by his experience fighting the tyrannical Mr. Evil Wizard man.

All-and-all, I would say it was a very successful class.

Definitely worth a semester’s worth of anticipation, and definitely more than encouraging for me to go back and play more D&D in the future.

The dungeons prequel

The dungeons prequel

We are officially one week away from Dungeons and Dragons day in my Gaming in American Culture class.

Toward the beginning of the semester I listed D&D day as one of the enticing course elements, so being on the cusp makes me salivate with anticipation.

Considering I barely have any experience outside of one character building session in high school, I’ve gotten a little practice. We played D&D at the party I brought my Redondo Beach friends to in Fullerton over Spring Break.

I kicked ass as my pre-built elf sorcerer Elfson.

But in-class today we prepared for our upcoming escapades in a different way: Talking about the moral panics caused by D&D.

Because you know. If something is fun and leaning in a pagan direction, parents are going to freak out about it.

Looking at you, Pokémon. And also Pokémon.

… Okay, it’s not entirely fair to simplify that into a joke. We actually discussed interesting aspects behind the 1980’s D&D panic, including the perceived loss of self-identity to multiple, fractured fantasy identities steeped in olde mythological traditions of witchcraft and monsters.

It just so happens that you can only showcase the moral panic by laying out all of the over-the-top examples of role-playing game hysteria.

Most notably: Dark Dungeons.

This amazing comic created by Jack T. Chick in 1984 seems to be the perfect embodiment of Big Brother wiping out imagination and personal expression in exchange for the conformity of true-blue American Catholicism.

Or that’s how my boy Mitchell perceived it, at least.

There are arguably kernels of truth in Chick’s fear of fantasy overwhelming reality. It’s hard to take the guy seriously when you write such lines as:

“Lord Jesus … you guide me through life. I want You to be in charge of everything…not that lousy D&D manual.”

Following the deus ex machina of random friend appearing to save the damsel in distress — having apparently prayed and fasted for her off-screen.

Or at least… I find it hard to take this comic seriously.

Apparently others do not, as a short film adaptation came out in 2014.

Something I only know about because my friend Jonathan reminded me that JonTron put out a video about the movie in 2016.

Isn’t the internet just a god damn beautiful mess?

But wait, that’s not all!

On top of Dark Dungeons, we spent part of our class period watching and discussing Mazes and Monsters.

The 1982 Tom Hanks flick where then-unknown sentient toy cowboy / crazy stranded FedEx employee / historic figure with a pension for chocolate almost kills himself after getting so invested in a parody of D&D that he can no longer distinguish fantasy from real life.

It’s amazing that Hanks went on to have one of the most successful actor careers of all time with a start as wild as Mazes and Monsters.

With all of that said, it only makes sense that we get to risk our lives playing the tabletop role-playing game for our entire next class period.

By God am I looking forward to it.


P.S. — There was another cool part of my day that I wanted to talk about, but could not think of an organic way to include it. Outside of there being vaguely related fantasy elements.

So I’ll just pin it down here.

During the break between my classes, Dr. Sandra Perez (the Director of the University Honors Program) brought over an underclassman while I was working in the Honors Center because she wants to write a fiction novel for her senior project.

Apparently I was the expert in that department, as Dr. Perez said she was very impressed with all of the pre-planning she’d seen me do for my novel.

It was nice to be considered an expert in something like that!

Or at least the most readily available spring of knowledge.


Featured Image courtesy of Philip Mitchell via Wikimedia Commons

Bumblebee a good movie

Bumblebee a good movie

To be completely honest, I’ve never been a huge Transformers fan.

I’ve always liked the franchise, but it wasn’t a line of toys I grew up with. As a result, the recent Michael Bay franchise of films has more or less been my closest connection.

… But even then, I only watched the first two or three. And I would be lying if I said I remembered anything even remotely well past bits of the first movie from over 11 years ago.

So I was hesitant to watch the newest Transformers movie, Bumblebee — in spite of the fact that I knew it was distinctly different from the Michael Bay series. Especially on the insistence of my friend Juan, who is a huge Transformophile.

I suppose I felt a little intimidated about the prospect of going to see this kind of movie with him. Though I’m glad I got over that, because boy did I have far more fun  than I expected to.

Bumblebee is leagues better than any of the Michael Bay Transformers films for a number of reasons: Its character development, dedication to a setting and mood, as well as its visual design.

Disregarding its titular character, Bumblebee is led by Hailee Steinfeld, who apparently had a phenomenal 2018 by showing her prowess in live action here and in animation through Spider-Man: Into the Spider-Verse.

Steinfeld’s character Charlie is the down-on-her-luck angsty tomboy teenager who finds Bumblebee broken down in a mechanic’s junkyard and becomes his best friend/protector.

It’s a cliché relationship that was essentially the exact same dynamic between Bumblebee and Shia LaBeouf’s character in the 2007 Transformers. It includes all the beats you’d imagine off a story where the girl’s father died and she can’t move on, only to learn the lessons she needs to through saving the world.

However, the clichés don’t bog Bumblebee down at all. If anything, they make the movie better because of how much the filmmakers lean into them.

Steinfeld brings far more chemistry to bonding with Bumblebee than LaBeouf ever did. In one two-hour picture I loved their kind of goofy, mutually beneficial relationship and had no trouble believing she was in the same room as a giant robot.

As hilarious as it was when I realized wrestler John Cena was going to be a prominent antagonist, he wound up pouring so much into the performance that I couldn’t help but love him.

Granted, I honestly couldn’t tell you his character’s actual name because I just saw him as John Cena the whole time. But he was so fun that I didn’t mind.

Another reason Bumblebee succeeded in capturing my heart is because it played itself as an unapologetically cheesy 80s movie. Not only did that give it an identity, but it served as a somewhat clever underlying commentary.

Like the Transformers were literally going back to the time when they were created, both in visual aesthetic and spirit.

After an opening action scene on Cybertron (which, like every action scene, was better choreographed and more visually appealing than any previous Transformers movie), diving into the life of Charlie tells us everything we need to know about Bumblebee‘s world.

Charlie, that angsty teen facing tragedy archetype I mentioned, works at a pierside Hot Dog on a Stick where the full range of 80’s teen comedy cast members appear. The awkward next door neighbor/unrequited lover, the mean high school girls, the jock who takes his shirt off after some awkward hi-jinks.

If it weren’t for the killer robots, you could mistake this movie for something akin to Ferris Bueller’s Day Off. It crafts great characters and loving relationships in this kind of world very well.

You could probably pull out homages to a dozen different movies, with a scene reminiscent to Iron Giant‘s gentle being vs. weapon dynamic standing out to me.

There’s even a really clever joke in the middle of the movie that stipulates some Transformers may have been involved in the creation of the Internet.

If you like that kind of self-aware humor, you’ll enjoy Bumblebee.

On top of that, Bumblebee‘s more classic toy-like Autobot and Decepticon designs allowed for more flowing, understandable action scenes and empathetic moments than the mechanized madness of Michael Bay’s films.

It sounds like I don’t have too many complaints about Bumblebee — and to be honest, I don’t. Some of my major complaints are nitpicks, like the fact that Transformers spoke English humans could understand and knew our vehicle shapes before coming to Earth.

But those are symptoms of the original source material than they are this movie specifically, and don’t detract from the film.

The movie also plays fast and loose with its setting’s time and place until late into the movie (at least from the perspective of someone who hadn’t seen the Golden Gate Bridge in that promotional poster I used as my Featured Image).

On top of that, every plot beat is borderline eye-rollingly predictable because of how much it leans into common clichés. Though to be fair there are moments where the script takes a high ground and doesn’t lean on obviously foreshadowed deus ex machinas.

Frankly, Bumblebee’s biggest strength is just how fun it is. So much so that even if there are bigger concerns, I’ve completely overlooked them. As exhausted as I was with the overwhelming Michael Bay franchise by its second or third installment, I could watch many more movies using Travis Knight’s formula going forward.

Not only was it great for Transformophiles like Juan, who was giddy seeing at least six named characters he recognized within the first few seconds, it also worked wonders for people like me that simply enjoy well-crafted, goofy 80’s flicks.

There were only about five people in our theatre today so I don’t imagine the film will be out too much longer, but I’d recommend going to see it while you can. It’s definitely a ride worth taking.


Featured Image courtesy of IMDb