Tag: Dante’s Inferno

John Wick is back and bringing his best for Chapter 3

John Wick is back and bringing his best for Chapter 3

Keanu Reeves’ 2014 action vehicle John Wick was lightning in a bottle.

Where Reeves was previously known in the genre as a trench coat wearing techno-superhero, the late 2010s has changed his action pedigree to that of a retired super assassin skilled in glorious gun-fu.

That film exhibited wonderful cartoony violence in a way that enthralled audiences. It was a self-contained story with a hint of mysterious flavor that could have easily stood on its own.

John Wick: Chapter 2 (2017) was less contained. But even if its script clearly acted as the middle man for another sequel, the film was magnificent in its world-building. It elaborated on the mysterious underbelly of the first movie in a way that created intrigue rather than spoiling the fun.

And it somehow kept up a high caliber of action at the same time.

John Wick: Chapter 3 – Parabellum (2019) masterfully blends and elevates the action-packed precedent of the first movie and the world-building of the second to continue an experience warranting the fourth chapter it aims to establish.

Chapter 3 follows Reeves’ titular character as he aims to reverse his excommunication from the worldwide “High Table” assassin society after killing one of its leading members in a safe haven at the end of the second film.

Like Chapter 2, this movie immediately drops its audience into a story that services its past while introducing new elements.

Wick travels to Casablanca and recruits Sofia (Halle Berry) to pay off a debt she owes. Meanwhile veteran characters Winston (Ian McShane), Charon (Lance Reddick) and the Bowery King (Laurence Fishburne) face political repercussions at the hands of a clinical and captivating Adjudicator for the High Table (Asia Kate Dillon).

Facing the consequences for one’s actions is the name of the game, as Chapter 3 establishes multiple times while audiences are introduced to more of the assassin underworld through locales like a training academy and a currency manufacturer in the ramparts of a medieval castle.

The movie embellishes John Wick’s brilliant universe, where gory street level duels are bathed in neon lights despite being planned by codified and cordial socialites in almost baroque meeting places.

The growing universe is enthralling for series veterans, yet I would argue Chapter 3 utilizes it’s exposition in a way that gives newcomers a fun experience unraveling how Reeves got himself into trouble. Like The Hangover, but with trained assassins.

Some of the fine details would be lost, but John Wick supplements its world-building with creative action to make the experience worthwhile.

The hyper-violence of this film is a spectacle. Within the first 20 minutes, Reeves beats a man to death with a copy of Dante’s Inferno and kills motorcycle-riding goons while galloping through New York traffic on a horse.

Yet that hyper-violence is perfectly balanced by enough realism to give confrontations weight and suspense. Wick is constantly battered, retains his scars and takes multiple pauses in the middle of firefights to reload. Every body and bullet casing hits the floor with satisfying clunks.

Not all of the action perfectly hits its mark. One at the midpoint in particular feels a little aimless as endless opponents come out of nowhere.

Though even less stellar scenes have high points, such as that rather aimless fight using Sofia’s dogs to great effect. Never before have I encountered uncomfortable mauling scenes with lovably good boys.

Cinematography and color in Chapter 3 also go a long way to make action more impressive.

For example, a later firefight is dulled by losing most hand-to-hand choreography in the face of near-invincible enemies. But the scene’s nauseating green palate emphasizes how uncomfortable the once-friendly setting is for Wick.

John Wick: Chapter 3 – Parabellum arguably succeeds best in that it plays well to the strengths its predecessors while keeping things fresh.

Though a few of the action scenes aren’t as stellar as others, long-time fans of Mr. Wick’s exploits will not be disappointed. Especially if they love the assassin-filled world Chapter 2 began to reveal.

And even if I wouldn’t recommend it, Chapter 3 seems like it could work as a standalone flick. It certainly did for my Grandpa.

I’m very much looking forward to the Chapter 4 this movie’s namesake sets up.

Even if it won’t have the same mind-blowing realization for me that Reeves’ great, cocky foil Zero is played by Mark Dacascos: The Chairman from Iron Chef America.


Featured Image courtesy of Movie Poster HD

Tales from a digital voice

Tales from a digital voice

With the end of the semester coming up, we had our last big Society of Professional Journalists event today.

It was another guest speaker: Sonya Quick from the nonprofit Voice of OC.

Plus donuts. But the donuts unfortunately did not get into this Tweet I did:

This talk was slightly less hands-on than our last guest’s discussion of useful apps, but the focus toward online content engagement was certainly just as noteworthy.

Voice of OC has a strong recent history with CSUF and the Daily Titan. My old mentor Spencer Custodio is one of five full-time reporters for their newsroom, and my old News Desk Assistant Brandon Pho is a reporting intern there.

I was the middle generation that missed out on that family tradition I suppose. Gladeo got to me first, or I just might have considered it.

Getting to hear Sonya share some things she’s picked up during her time at Voice of OC, as well as other papers like the OC Register, was great.

One of her first comments was about the importance of being straight-forward:

“I’m an emotion on your sleeves kind of gal. If I have a complaint about something, I won’t hold back.”

— Sonya Quick, Voice of OC

She reportedly has not held back in the past, being responsible for manifestos that encouraged organizations to focus more on digital, and later mobile, reporting as those came into vogue (especially pertinent now, as she says that reporters should think with their phones first).

Yet, she also fielded a question from our Chapter President Harrison Faigen about how to not take editorial criticism too personally.

She said that taking things personally is not a problem unless it impedes your work, because the emotions show you care.

However, even more of an important point — and one that strangely echos sentiments I’ve gotten from my parents — was that the time to get concerned is when an editor does not read or critique your work.

The more effort they put into tearing apart your story, the more they care and believe you can be even better than you are.

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“Our goal is not to impact decisions, but to get people involved.”

A number of other topics were on the docket for our hour-long meeting:

  • She recommended hiring staff “by passion, not by skill,” as she herself did not know much about the digital world before jumping into it.
  • Her two major rules for creating good search engine optimization in stories were:
    • Don’t scam people. Ever.
    • Write content people care about, especially “guide-like content” that can be built-up over time. Much more engaging than daily event stories.
  • When making videos, she recommended editing them down to one minute each and focusing on pre-planning with storyboards to avoid overshooting.
  • While for-profit organizations often only look at whether a reporter’s work garners clicks, she said Voice of OC looks at overall impact through shares, comments and other social engagements.

Then, as any good editor would, she plugged a great piece published that morning with a juicy DUI scandal going on.

There were a few other tidbits that made me laugh throughout her talk.

For instance, when I asked her about dealing with vitriol in those previously noted engagements she said she has had to wade through the “Seventh Circle of Hell” looking at the OC Register comment section.

But the really important takeaway would have to be what she said of being a reporter, in reference to many college students with Communications degrees leaving the industry early, or not going into the industry at all:

“You work long hours, you get little money and you get shit on almost constantly. But it’s awesome! And you have an impact!”

— Sonya Quick, Voice of OC

If that isn’t true love for one’s occupation, I don’t know what is.